Mark Twain’s Review of the Book of Mormon

Mark Twain

 

This is verbatim from Mr. Twain’s book of reminiscing, Roughing It.

——

All men have heard of the Mormon Bible, but few except the “elect” have seen it, or, at least, taken the trouble to read it. I brought away a copy from Salt Lake. The book is a curiosity to me, it is such a pretentious affair, and yet so “slow,” so sleepy; such an insipid mess of inspiration. It is chloroform in print. If Joseph Smith composed this book, the act was a miracle—keeping awake while he did it was, at any rate. If he, accourding to tradition, merely translated it from certain ancient and mysteriously-engraved plates of copper, which he declares he found under a stone, in an out-of-the-way locality, the work of translating was equally a miracle, for the same reason.

The book seems to be merely a prosy detail of imaginary history, with the Old Testament for a model; followed by a tedious plagiarism of the New Testament. The author labored to give his words and phrases the quaint, old-fashioned sound and structure of our King James’s translation of the Scriptures; and the result is a mongrel—half modern glibness, and half ancient simplicity and gravity. The latter is awkward and constrained; the former natural, but grotesque by the contrast. Whenever he found his speech growing too modern—which was about every sentence or two—he ladled in a few such Scriptural phrases as “exceeding sore,” “and it came to pass,” etc., and made things satisfactory again. “And it came to pass” was his pet. If he had left that out, his Bible would have been only a pamphlet.

The title-page reads as follows:

THE BOOK OF MORMON: AN ACCOUNT WRITTEN BY THE HAND OF MORMON, UPON PLATES TAKEN FROM THE PLATES OF NEPHI.

Wherefore it is an abridgment of the record of the people of Nephi, and also of the Lamanites; written to the Lamanites, who are a remnant of the house of Israel; and also to Jew and Gentile; written by way of commandment, and also by the spirit of prophecy and of revelation. Written and sealed up, and hid up unto the Lord, that they might not be destroyed; to come forth by the gift and power of God unto the interpretation thereof; sealed by the hand of Moroni, and hid up unto the Lord, to come forth in due time by way of the Gentile; the interpretation thereof by the gift of God. An abridgment taken from the Book of Ether also; which is a record of the people of Jared; who were scattered at the time the Lord confounded the language of the people when they were building a tower to get to Heaven.

“Hid up” is good. And so is “wherefore”—though why “wherefore”? Any other word would have answered as well—though in truth it would not have sounded so Scriptural.

Next comes:

THE TESTIMONY OF THREE WITNESSES.

Be it known unto all nations, kindreds, tongues, and people unto whom this work shall come, that we, through the grace of God the Father, and our Lord Jesus Christ, have seen the plates which contain this record, which is a record of the people of Nephi, and also of the Lamanites, their brethren, and also of the people of Jared, who came from the tower of which hath been spoken; and we also know that they have been translated by the gift and power of God, for His voice hath declared it unto us; wherefore we know of a surety that the work is true. And we also testify that we have seen the engravings which are upon the plates; and they have been shown unto us by the power of God, and not of man. And we declare with words of soberness, that an angel of God came down from heaven, and he brought and laid before our eyes, that we beheld and saw the plates, and the engravings thereon; and we know that it is by the grace of God the Father, and our Lord Jesus Christ, that we beheld and bear record that these things are true; and it is marvelous in our eyes; nevertheless the voice of the Lord commanded us that we should bear record of it; wherefore, to be obedient unto the commandments of God, we bear testimony of these things. And we know that if we are faithful in Christ, we shall rid our garments of the blood of all men, and be found spotless before the judgment-seat of Christ, and shall dwell with Him eternally in the heavens. And the honor be to the Father, and to the Son, and to the Holy Ghost, which is one God. Amen.

OLIVER COWDERY,
DAVID WHITMER,
MARTIN HARRIS.

Some people have to have a world of evidence before they can come anywhere in the neighborhood of believing anything; but for me, when a man tells me that he has “seen the engravings which are upon the plates,” and not only that, but an angel was there at the time, and saw him see them, and probably took his receipt for it, I am very far on the road to conviction, no matter whether I ever heard of that man before or not, and even if I do not know the name of the angel, or his nationality either.

Next is this:

AND ALSO THE TESTIMONY OF EIGHT WITNESSES.

Be it known unto all nations, kindreds, tongues, and people unto whom this work shall come, that Joseph Smith, Jr., the translator of this work, has shown unto us the plates of which hath been spoken, which have the appearance of gold; and as many of the leaves as the said Smith has translated, we did handle with our hands; and we also saw the engravings thereon, all of which has the appearance of ancient work, and of curious workmanship. And this we bear record with words of soberness, that the said Smith has shown unto us, for we have seen and hefted, and know of a surety that the said Smith has got the plates of which we have spoken. And we give our names unto the world, to witness unto the world that which we have seen; and we lie not, God bearing witness of it.

CHRISTIAN WHITMER,
JACOB WHITMER,
PETER WHITMER, JR.,
JOHN WHITMER,
HIRAM PAGE,
JOSEPH SMITH, SR.,
HYRUM SMITH,
SAMUEL H. SMITH.

And when I am far on the road to conviction, and eight men, be they grammatical or otherwise, come forward and tell me that they have seen the plates too; and not only seen those plates but “hefted” them, I am convinced. I could not feel more satisfied and at rest if the entire Whitmer family had testified.

The Mormon Bible consists of fifteen “books”—being the books of Jacob, Enos, Jarom, Omni, Mosiah, Zeniff, Alma, Helaman, Ether, Moroni, two “books” of Mormon, and three of Nephi.

In the first book of Nephi is a plagiarism of the Old Testament, which gives an account of the exodus from Jerusalem of the “children of Lehi”; and it goes on to tell of their wanderings in the wilderness, during eight years, and their supernatural protection by one of their number, a party by the name of Nephi. They finally reached the land of “Bountiful,” and camped by the sea. After they had remained there “for the space of many days”—which is more Scriptural than definite—Nephi was commanded from on high to build a ship wherein to “carry the people across the waters.” He travestied Noah’s ark—but he obeyed orders in the matter of the plan. He finished the ship in a single day, while his brethren stood by and made fun of it—and of him, too—“saying, our brother is a fool, for he thinketh that he can build a ship” They did not wait for the timbers to dry, but the whole tribe or nation sailed the next day. Then a bit of genuine nature cropped out, and is revealed by outspoken Nephi with Scriptural frankness—they all got on a spree! They, “and also their wives, began to make themselves merry, insomuch that they began to dance, and to sing, and to speak with much rudeness; yea, they were lifted up unto exceeding rudeness.”

Nephi tried to stop these scandalous proceedings; but they tied him neck and heels, and went on with their lark. But observe how Nephi the prophet circumvented them by the aid of the invisible powers:

And it came to pass that after they had bound me, insomuch that I could not move, the compass, which had been prepared of the Lord, did cease to work; wherefore, they knew not whither they should steer the ship, insomuch that there arose a great storm, yea, a great and terrible tempest, and we were driven back upon the waters for the space of three days; and they began to be frightened exceedingly, lest they should be drowned in the sea; nevertheless they did not loose me. And on the fourth day, which we had been driven back, the tempest began to be exceeding sore. And it came to pass that we were about to be swallowed up in the depths of the sea.

Then they untied him.

And it came to pass after they had loosed me, behold, I took the compass, and it did work whither I desired it. And it came to pass that I prayed unto the Lord; and after I had prayed, the winds did cease, and the storm did cease, and there was a great calm.

Equipped with their compass, these ancients appear to have had the advantage of Noah.

Their voyage was toward a “promised land”—the only name they give it. They reached it in safety.

Polygamy is a recent feature in the Mormon religion, and was added by Brigham Young after Joseph Smith’s death. Before that, it was regarded as an “abomination.” This verse from the Mormon Bible occurs in Chapter II. of the book of Jacob:

For behold, thus saith the Lord, this people begin to wax in iniquity; they understand not the Scriptures; for they seek to excuse themselves in committing whoredoms, because of the things which were written concerning David, and Solomon his son. Behold, David and Solomon truly had many wives and concubines, which thing was abominable before me, saith the Lord; wherefore, thus saith the Lord, I have led this people forth out of the land of Jerusalem, by the power of mine arm, that I might raise up unto me a righteous branch from the fruit of the loins of Joseph. Wherefore, I the Lord God, will not suffer that this people shall do like unto them of old.

However, the project failed—or at least the modern Mormon end of it—for Brigham “suffers” it. This verse is from the same chapter:

Behold, the Lamanites your brethren, whom ye hate, because of their filthiness and the cursings which hath come upon their skins, are more righteous than you; for they have not forgotten the commandment of the Lord, which was given unto our fathers, that they should have, save it were one wife; and concubines they should have none.

The following verse (from Chapter IX. of the Book of Nephi) appears to contain information not familiar to everybody:

And now it came to pass that when Jesus had ascended into heaven, the multitude did disperse, and every man did take his wife and his children, and did return to his own home.

And it came to pass that on the morrow, when the multitude was gathered together, behold, Nephi and his brother whom he had raised from the dead, whose name was Timothy, and also his son, whose name was Jonas, and also Mathoni, and Mathonihah, his brother, and Kumen, and Kumenenhi, and Jeremiah, and Shemnon, and Jonas, and Zedekiah, and Isaiah; now these were the names of the disciples whom Jesus had chosen.

In order that the reader may observe how much more grandeur and picturesqueness (as seen by these Mormon twelve) accompanied on of the tenderest episodes in the life of our Saviour than other eyes seem to have been aware of, I quote the following from the same “book”—Nephi:

And it came to pass that Jesus spake unto them, and bade them arise. And they arose from the earth, and He said unto them, Blessed are ye because of your faith. And now behold, My joy is full. And when He had said these words, He wept, and the multitude bear record of it, and He took their little children, one by one, and blessed them, and prayed unto the Father for them. And when He had done this He wept again, and He spake unto the multitude, and saith unto them, Behold your little ones. And as they looked to behold, they cast their eyes toward heaven, and they saw the heavens open, and they saw angels descending out of heaven as it were, in the midst of fire; and they came down and encircled those little ones about, and they were encircled about with fire; and the angels did minister unto them, and the multitude did see and hear and bear record; and they know that their record is true, for they all of them did see and hear, every man for himself; and they were in number about two thousand and five hundred souls; and they did consist of men, women, and children.

And what else would they be likely to consist of?

The Book of Ether is an incomprehensible medley of if “history,” much of it relating to battles and sieges among peoples whom the reader has possibly never heard of; and who inhabited a country which is not set down in the geography. There was a King with the remarkable name of Coriantumr, and he warred with Shared, and Lib, and Shiz, and others, in the “plains of Heshlon”; and the “valley of Gilgal”; and the “wilderness of Akish”; and the “land of Moran”; and the “plains of Agosh”; and “Ogath,” and “Ramah,” and the “land of Corihor,” and the “hill Comnor,” by “the waters of Ripliancum,” etc., etc., etc. “And it came to pass,” after a deal of fighting, that Coriantumr, upon making calculation of his losses, found that “there had been slain two millions of mighty men, and also their wives and their children”—say 5,000,000 or 6,000,000 in all—“and he began to sorrow in his heart.” Unquestionably it was time. So he wrote to Shiz, asking a cessation of hostilities, and offering to give up his kingdom to save his people. Shiz declined, except upon condition that Coriantumr would come and let him cut his head off first—a thing which Coriantumr would not do. Then there was more fighting for a season; then four years were devoted to gathering the forces for a final struggle—after which ensued a battle, which, I take it, is the most remarkable set forth in history,—except, perhaps, that of the Kilkenny cats, which it resembles in some respects. This is the account of the gathering and the battle:

And it came to pass that they did gather together all the people, upon all the face of the land, who had not been slain, save it was Ether. And it came to pass that Ether did behold all the doings of the people; and he beheld that the people who were for Coriantumr, were gathered together to the army of Coriantumr; and the people who were for Shiz, were gathered together to the army of Shiz; wherefore they were for the space of four years gathering together the people, that they might get all who were upon the face of the land, and that they might receive all the strength which it was possible that they could receive. And it came to pass that when they were all gathered together, every one to the army which he would, with their wives and their children; both men, women, and children being armed with weapons of war, having shields, and breast-plates, and head-plates, and being clothed after the manner of war, they did march forth one against another, to battle; and they fought all that day, and conquered not. And it came to pass that when it was night they were weary, and retired to their camps; and after they had retired to their camps, they took up a howling and a lamentation for the loss of the slain of their people; and so great were their cries, their howlings and lamentations, that it did rend the air exceedingly. And it came to pass that on the morrow they did go again to battle, and great and terrible was that day; nevertheless they conquered not, and when the night came again, they did rend the air with their cries, and their howlings, and their mournings, for the loss of the slain of their people.

And it came to pass that Coriantumr wrote again an epistle unto Shiz, desiring that he would not come again to battle, but that he would take the kingdom, and spare the lives of the people. But behold, the Spirit of the Lord had ceased striving with them, and Satan had full power over the hearts of the people, for they were given up unto the hardness of their hearts, and the blindness of their minds that they might be destroyed; wherefore they went again to battle. And it came to pass that they fought all that day, and when the night came they slept upon their swords; and on the morrow they fought even until the night came; and when the night came they were drunken with anger, even as a man who is drunken with wine; and they slept again upon their swords; and on the morrow they fought again; and when the night came they had all fallen by the sword save it were fifty and two of the people of Coriantumr, and sixty and nine of the people of Shiz. And it came to pass that they slept upon their swords that night, and on the morrow they fought again, and they contended in their mights with their swords, and with their shields, all that day; and when the night came there were thirty and two of the people of Shiz, and twenty and seven of the people of Coriantumr.

And it came to pass that they ate and slept, and prepared for death on the morrow. And they were large and mighty men, as to the strength of men. And it came to pass that they fought for the space of three hours, and they fainted with the loss of blood. And it came to pass that when the men of Coriantumr had received sufficient strength, that they could walk, they were about to flee for their lives, but behold, Shiz arose, and also his men, and he swore in his wrath that he would slay Coriantumr, or he would perish by the sword: wherefore he did pursue them, and on the morrow he did overtake them; and they fought again with the sword. And it came to pass that when they had all fallen by the sword, save it were Coriantumr and Shiz, behold Shiz had fainted with loss of blood. And it came to pass that when Coriantumr had leaned upon his sword, that he rested a little, he smote off the head of Shiz. And it came to pass that after he had smote off the head of Shiz, that Shiz raised upon his hands and fell; and after that he had struggled for breath, he died. And it came to pass that Coriantumr fell to the earth, and became as if he had no life. And the Lord spake unto Ether, and said unto him, go forth. And he went forth, and beheld that the words of the Lord had all been fulfilled; and he finished his record; and the hundredth part I have not written.

It seems a pity he did not finish, for after all his dreary former chapters of commonplace, he stopped just as he was in danger of becoming interesting.

The Mormon Bible is rather stupid and tiresome to read, but there is nothing vicious in its teachings. Its code of morals is unobjectionable—it is “smouched” from the New Testament and no credit given.

—-

Of course, Mr. Twain nails it.

If you care to argue, save it – as Mark had more insight into human affairs before his morning coffee that you’ve had in your entire life.

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My View: “The Hobbit: An Unexpected Journey”

First thing’s first: The Hobbit trilogy is NOT in any way going to be like the Lord Of The Rings trilogy – and that’s okay.

Where the three LOTR films were a tale of direness and doom, the Hobbit films will be decidedly more airy and light… and before you complain, that’s the way the actual book is.

Tolkien wrote The Hobbit as a book for younger readers, and as such, you won’t find the darkness and moral terror that the LOTR books brought to the table.

However, even as a “children’s” book, The Hobbit graces 300 pages or so in novel form – and when you factor in material that bridges the 60 years between The Hobbit and The Fellowship Of The Ring from Tolkien’s exhaustively written appendices for the realm of Middle Earth, there’s still plenty of material to craft out each of the Hobbit’s two forthcoming sequels.

Yes… Peter Jackson and the Brothers Warner are milking the franchise for your hard-earned dollars, but as long as the movies themselves are good, who are we to care?

Which brings me to why I’m here: is An Unexpected Journey any good?

Quite.

(BE WARNED, YE WHO READS PAST THIS POINT: THERE BE EXTENSIVE SPOILERS FROM HERE ON)

Again, I must stress the tonal differences between the two sets of movies: this movie might turn off those of you who can only tolerate fantasy genre films if they’re monstrously epic and carry the fate of the world in the balance – because there’s none of that in An Unexpected Journey.

Well… that’s not entirely accurate as there is foreshadowing of Sauron’s return to Middle Earth – mostly in the form of a parley between Gandalf, Elrond, Galadriel, and Saruman.

However, for the majority of the film, we in the audience follow the adventures of Bilbo Baggins as he’s enlisted into the Company Of Thorin Oakenshield (Richard Armitage from the first season of Strike Back – who’s character in that show had to be terminated at the start of the second season in order for him to play his part in The Hobbit trilogy).

During the opening minutes of An Unexpected Journey, we join Ian Holm’s elder version of Bilbo Baggins at Bag End – his lovely home under a hill in The Shire.

This sequence of the movie actually takes place mere hours before we were introduced to Middle Earth at the start of The Fellowship Of The Ring – and thusly concerns the preparations for Bilbo’s 111st birthday… and naturally brings back Elijah Wood’s Frodo Baggins (in a nice feat of continuity segueing) before his own tortuous adventure began.

Bilbo has finally sat down and put pen to paper in an effort to document his many adventures that have earned him a certain reputation amongst the denizens of Hobbiton – and we see in his eyes a mixture of fondness for the memories and a tiredness that carrying the One Ring around in his vest pocket for 60 years has inflicted.

Quickly, we’re transported backwards in time to find Martin Freeman’s younger Bilbo outside his home and enjoying some quality pipe smoking on a fine morning… only to be distracted by a tall shadow falling over him – a shadow belonging to none other than Gandalf The Grey.

Now, I must take a moment to point out that while Gandalf still looks like he has spent 2,000 years in Middle Earth, the make-up and costuming for Ian McKellan somehow manages to make the wizard look a bit more youthful – I think mostly by making him appear a bit more plump while enlarging his wizardly hat… while attaching a fetching scarf that I don’t recall him wearing in Fellowship.

After a bit of dialogue that goes back and forth between Bilbo and Gandalf – which played out a bit awkward in places, but lifted up by Freeman’s excellent carriage of a confused Hobbit – evening falls and Bilbo sits down to a nice plate of pan-fried fish… only to be interrupted by the arrival of a Dwarf, and another, and another, and another, so on and so forth until Bag End is positively bursting at the seams with dwarven merriment as they proceed to eat poor Bilbo out of house and home.

You see, Gandalf had left a little bit of runic graffiti on Bilbo’s front door before he departed – a rune that seemed to mean something along the lines of “Meeting Place For The Association Of Hungry & Homeless Dwarves”.

After the re-appearance of Gandalf, and the arrival of Thorin Oakenshield (played with great subtlety by Armitage that minces nobility, stoicism, and world weariness), it becomes clear that Gandalf has come to enlist Bilbo on quest for treasure… one that lies under the Lonely Mountain – sometimes referred to as the Misty Mountain – in the former dwarven kingdom of Erebor, which was once the greatest city to ever grace Middle Earth.

There’s one small catch: the city and it’s ridiculously tall piles of gold have been usurped by the fearsome dragon Smaug.

It’s made clear that for their plan to succeed, the company of dwarves (and one  Mithrandian wizard) need someone that could sneak by Smaug… one who possessed a scent that the dragon had never encountered – and since dragons weren’t overly concerned with the halflings who lived in The Shire, it made sense to Gandalf that an adventuresome Hobbit would fit the bill quite nicely.

However, when it was made adequately clear (to great extent by one dwarf) that there was a more-than-fair chance that Bilbo could end up incinerated at some point during the journey to reclaim Erebor, Bilbo decides that he doesn’t want to indulge in childish fantasies that would take him far from home and place him in harm’s way.

At this point, the scene to which I lead this article with takes place… and I must say, it’s quite a marvellous bit of a capella and one of my few bones to pick with the film as the scene is cut short far too short (and I honestly hope that there is a longer recording that will be unleashed at some point in the future… as it is, the version on the current soundtrack CD is precisely the length seen up top).

Needless to say, Bilbo changes his mind and signs his name to the rather lengthy dwarven contract that makes it clear that 1) the dwarves that comprise the Company Of Thorin Oakenshield bare no liability should any harm come to him, and 2) he is entitled to one fourteenth of any treasure recovered on their quest.

And so begins his unexpected journey across the lands of Middle Earth, on an adventure of the likes that very few hobbits had ever been on – one that brings the company into conflict with all manners of creatures: orcs, goblins, trolls, and wargs.

It also brings these adventurers to the Elvish kingdom of Rivendell – the same Rivendell in which we first meet Lord Elrond in The Fellowship Of The Ring – and as with Gandalf, the movie accomplishes the goal of making Elrond seem younger (in spite of the fact that elves don’t age) by having him ride in on horseback after slaying a marauding party of orcs.

It’s here that I feel I should discuss the one issue that seems to have taken over these Hobbit films: the frame rate.

As you’ve probably heard – either with a positive or negative slant, depending on the critic – Peter Jackson filmed this Hobbit trilogy at 48 frames per second (meaning that for every second of movie on the screen, there are 48 separate frames going by) instead of the industry standard of 24 frames per second that has been around for about a hundred years.

What a higher frame rate brings to a film is a level of clarity – some have likened it to looking through a large window while a theatrical group enacts a play based on The Hobbit – that audiences have never experienced before.

A great number of people have said that the clarity is so distracting that they can’t pay attention to the story because they are overloaded with set and make-up details.

Personally, I find that to be total and utter bullshit – mainly because I’m a person who works with filmed media… and since I know what frame rate does, I know it’s advantages.

When you have a movie like The Hobbit, which has an abundance of fast-paced battle sequences and lots of running around,  you get a strobe effect  while the action goes across the screen: it can be challenging for the human brain to make sense of fast moving action at the standard 24 frames per second because it seems that the objects on the screen are stuttering as bits of movement are lost between each frame of film.

Logically, as you add more frames to each second of film, more of the action is captured and then displayed when you play it back at the cinema – which makes a battle between 13 dwarves and an entire city of goblins (which is already pure chaos) seem a lot less like a jittery sequence of photos, and more like the fluid dynamic that it really is.

More frames = more information… and since your brain prefers to make it’s decisions with the most information possible, 48 frames per second (or higher) makes much more sense than the archaic 24 frames that was established with the advent of movies with sound – because it was easier to apply a linear audio track to film that ran at that speed.

Many of you who have HD video cameras at home may have played with the FPS settings on your own – many of these cameras come with a 1080p/30FPS option – and have discovered that higher frame rates actually result in a better picture.

This image clarity lends itself even better to 3D films since your brain has to assemble two different data sets into one image simultaneously for the 3D to work effectively… and you may have experienced the difficulty that 3D movies have when the objects on screen start moving around erratically: you doubly notice that strobe effect that’s inherent to 24FPS film.

Add in the polarized glasses that you wear while viewing 3D films at the theatre which reduce the amount of light that reaches your eyeballs, and the data rate that’s going into your brain drops even further.

So, yeah… there’s a lot to be said for clarity.

And since the technology of today’s cameras, digital cinema projectors, and home HDTV screens all have the capability to show high frame rate video, the traditionalist’s urge to keep filming at 24FPS for no reason other than it’s just the way audiences have been used to seeing movies doesn’t make a whole lot of sense.

Your average HDTV screen now supports 60Hz – which means it can effectively display video at 60 frames per second!

So I can only hope that the eventual Blu-Ray video release of An Unexpected Journey is at 48FPS without having to pay extra – as the majority of cinemas around the world are only showing the movie at 24FPS… and I can tell you right here, the action sequences were jittery as hell in that format, as I was unable to attend a showing with 48FPS.

Anyway… back to my analysis of the actual movie.

There are great stretches of the movie’s nearly three-hour run-time where not a lot happens – where the scenery and cinematography take the place of narrative… but that’s okay as it gives you plenty of time to soak in New Zealand’s countryside, and to pay attention to all the little things that make fantastical events and characters actually gel in Peter Jackson’s films.

Every now and then, you may find yourself looking at your watch – mostly during dense expository – but rest assured that these moments are far in between… and are only natural when converting Tolkien’s material to the big screen as he was very fond of run-on sentences that could last entire pages.

I’m not a Tolkien nerd by any stretch of the imagination, so I can’t tell you precisely what was in the books that made it onto the screen – or what scenes or characters in the movie were made up by screen writers on the whole/were imported from Tolkien materials outside of the originating Hobbit novel.

What I can tell you is that not much screen time was truly wasted – if any at all.

I can say here – with absolute confidence – that every bit of casting for characters we didn’t already know from the LOTR movies was pitch perfect.

Every actor seemed to live and breathe their individual character, and played off the other people in the ensemble brilliantly.

Every dwarf was splendidly dwarvish… and Martin Freeman was note-perfect as the young Bilbo Baggins – so much so that you couldn’t even imagine another actor performing in his hairy foot prosthetics.

Of course, all of the returning actors and actresses bring their ‘A’ games as well – adding small flourishes here and there to make you believe that their characters are indeed younger… whether it be they are quicker with a smile, or a fit of eye rolling when darkness is suggested to be at hand.

Gollum is once again on the screen, and Andy Serkis is able to flesh the miserable creature out more completely than he could a decade ago: while the LOTR films employed early, Oscar-winning motion capture technologies to bring Gollum to life via Serkis’ physical acting, An Unexpected Journey allowed Serkis to use his own facial expressions this time around (instead of them being purely animated during the previous films) – which really helps bring Gollum’s tortured psychosis to the forefront.

In the end, my only quibbles with The Hobbit: An Unexpected Journey – the frame rate issue, some make-up processes could have been a bit more refined between orcs and goblins, and that maddeningly short song about the Misty Mountain.

On the whole, I give An Unexpected Journey 8.95 stars out of a possible 10.

What’s maddening is that I have to wait a year for the next one! >.<

Thorin Oakenshield